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        <title>Pass the Coffeepot</title>
        <link>http://smotheredair.yuku.com/forums/64</link>
        <description>
        <![CDATA[ What kinds of poetry do you like? What forms do you favor? Dislike?
<br>
<br>
After the readings, huddle about the coffeepot and share your thoughts on style, form, function, spelling, technique, period, past masters, modern focus, the
pros and cons of criticism, favorite poetry haunts, tips, tricks and education.
<br>
<br>
<font size="2">Also in this forum</font> - <em>For general gossip &amp; stimulating links, visit our <a target="_blank"... ]]>
        </description>

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		<item>
			<title><![CDATA[ Poetic Advice....a Reminder for Novices + Pros Alike ]]></title>
			<link>http://smotheredair.yuku.com/topic/1210/t/Poetic-Advice-a-Reminder-for-Novices-Pros-Alike.html</link>
			<description><![CDATA[ The November newsletter of Just Poets, the Rochester-based organization to which I proudly belong, was released yesterday. It included a short article by JP
member and former president, Donna Marbach. I thought it would be worthwhile to share it with SA poet-readers. While targeted primarily to neophytes, I found
it a useful reminder of my duties as a poet.  Hope you do too.
<br>
<br>

<p><strong>Poetic Advice -- Hints and Reminders to Help Strengthen Your Poetry</strong></p>

<p> by Donna... ]]></description>

			<!-- optional elements -->
			<author>feeds@yuku.com (Karla)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/1210</guid>
			<pubDate>Wed, 28 Oct 2009 05:37:29 GMT</pubDate>
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		</item>
		<item>
			<title><![CDATA[ Life + Form = Poetry ]]></title>
			<link>http://smotheredair.yuku.com/topic/1205/t/Life-Form-Poetry.html</link>
			<description><![CDATA[ <p>Greetings, poets!</p>

<p> </p>

<p>I missed my usual Sunday meander around the pages of SA so am here on a Monday morning (and a cold one!  Brr! not ready for this!), musing over a column I
read in <em>Northwest Poetry</em>.  The editor of five years of this fine journal, David Biespiel, makes his goodbyes in &quot;the article, &quot;A Sense of
Form and a Sense of Life.&quot;  Having ducked the question for years as to the kind of poetry he likes…what led him to publish the poems in... ]]></description>

			<!-- optional elements -->
			<author>feeds@yuku.com (Karla)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/1205</guid>
			<pubDate>Mon, 12 Oct 2009 06:45:58 GMT</pubDate>
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		</item>
		<item>
			<title><![CDATA[ Poetic Aerobics ]]></title>
			<link>http://smotheredair.yuku.com/topic/1204/t/Poetic-Aerobics.html</link>
			<description><![CDATA[ <p> </p>

<p>As I&#39;ve been prepping another workshop for our local writers center, I&#39;ve stumbled across a few resources for poets that invite us to play in the
poetic sandbox…and learn as we go. So I thought I&#39;d share them with SA reader-poets.</p>

<p> </p>

<ul type="disc">
  <li>I&#39;m usually not a fan of poetry handbooks, but this one is a winner:  <strong><em>The Poet&#39;s Companion: A Guide to the Pleasures of Writing
  Poetry</em></strong> by Kim Addonizio and Dorianne... ]]></description>

			<!-- optional elements -->
			<author>feeds@yuku.com (Karla)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/1204</guid>
			<pubDate>Mon, 05 Oct 2009 06:04:05 GMT</pubDate>
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		<item>
			<title><![CDATA[ Found Poems ]]></title>
			<link>http://smotheredair.yuku.com/topic/1199/t/Found-Poems.html</link>
			<description><![CDATA[ <p>Yesterday I ran across a short poem in an email exchange I had with a poet-friend.</p>

<p> </p>

<p>It went like this:</p>

<p> </p>

<p> </p>

<p><strong>Email E-change</strong></p>

<p> </p>

<p> </p>

<p>Forgot to add - I don&#39;t have text messaging service.  Maybe next decade.  </p>

<p> </p>

<p>W</p>

<p> </p>

<p>Neither do I. And I never plan to!!!!!!!
<br>
<br>
K!</p>

<p> </p>

<p>***</p>

<p> </p>

<p>And finding that little guy got me thinking about found poems in general.... ]]></description>

			<!-- optional elements -->
			<author>feeds@yuku.com (Karla)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/1199</guid>
			<pubDate>Sun, 06 Sep 2009 07:39:49 GMT</pubDate>
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		<item>
			<title><![CDATA[ Line Breaks ]]></title>
			<link>http://smotheredair.yuku.com/topic/1180/t/Line-Breaks.html</link>
			<description><![CDATA[ I don&#39;t care how many times this topic has been approached -- in poetry, the single most thing of importance, in my opinion, is <span style="font-style: italic;">the art of breaking lines</span>.  As an editor, I get to see poems of all forms, and lots of free verse.  And what I can compare in the
quality of craft, most readily, is how well or poorly poets handle their lines.  It seems apparent that the majority of amateur poets don&#39;t have a clue how
to break lines.  In general, their... ]]></description>

			<!-- optional elements -->
			<author>feeds@yuku.com (Nephologia)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/1180</guid>
			<pubDate>Thu, 25 Jun 2009 08:04:46 GMT</pubDate>
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		<item>
			<title><![CDATA[ trite versus original language ]]></title>
			<link>http://smotheredair.yuku.com/topic/1162/t/trite-versus-original-language.html</link>
			<description><![CDATA[ We have been through this before.
<br>
<br>
To start with we use the very trite alphabet. If we were great originators we should use a new alphabet for each poem or at least a private alphabet. This
gross argument not only shows that triteness can be spoofed to the extreme, but that the language used  in literary writing is a context for the content.The
same holds for notes in  music and colours for painting.
<br>
<br>
This does not mean that the context is irrelevant in poetry. It can play a... ]]></description>

			<!-- optional elements -->
			<author>feeds@yuku.com (Timarete)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/1162</guid>
			<pubDate>Tue, 14 Aug 2007 21:46:46 GMT</pubDate>
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		<item>
			<title><![CDATA[ on obscurity in poetry ]]></title>
			<link>http://smotheredair.yuku.com/topic/1157/t/on-obscurity-in-poetry.html</link>
			<description><![CDATA[ <br>
If the glass is completely opaque, there is no view.
<br>
If the glass is completely transparent, interest might not be engendered.
<br>
In my opinion, there is a happy medium, which is part of the poetry tools. Spelling out everything is boring, even in beautiful language, being too cryptic
gives rise to dismissal.
<br>
<br>
This type of workshops, where the audience is critical but friendly can be of true service as a sounding board .
<br>
If poetry is like birdsong, rising naturally... ]]></description>

			<!-- optional elements -->
			<author>feeds@yuku.com (Timarete)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/1157</guid>
			<pubDate>Fri, 03 Aug 2007 21:19:07 GMT</pubDate>
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		<item>
			<title><![CDATA[ The Death of Poetry ]]></title>
			<link>http://smotheredair.yuku.com/topic/1156/t/The-Death-of-Poetry.html</link>
			<description><![CDATA[ <span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;;">I&#39;m very disturbed about where poetry is going and many are saying it,
too.<span style=""> </span> I&#39;m one of the few to speak out about the decline of poetry and possibly a death.  In the mainstream, poetry is dead, that I
know.  Underground, it&#39;s probably will be confined to the internet and other free sources, due to failing sales in magazines and other publishers, having
to resort to cheaper means... ]]></description>

			<!-- optional elements -->
			<author>feeds@yuku.com (Andrew Dickinson)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/1156</guid>
			<pubDate>Fri, 03 Aug 2007 11:10:15 GMT</pubDate>
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		<item>
			<title><![CDATA[ Favorite Forms? ]]></title>
			<link>http://smotheredair.yuku.com/topic/1147/t/Favorite-Forms-.html</link>
			<description><![CDATA[ Ok, so most of here like writing and reading Free Verse, but some of us also like traditional forms.  What&#39;s your favorite form, if you have one.  Yes, you
can also mention your 2nd and 3rd!
<br>
<br>
Neph:
<br>
1.  Sestina
<br>
2.  Terzanelle
<br>
3.  Blank Verse
<br>
<br>
<br> ]]></description>

			<!-- optional elements -->
			<author>feeds@yuku.com (Nephologia)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/1147</guid>
			<pubDate>Fri, 29 Jun 2007 20:54:10 GMT</pubDate>
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		<item>
			<title><![CDATA[ 7 Editing Tips from Kurt Vonnegut ]]></title>
			<link>http://smotheredair.yuku.com/topic/1145/t/7-Editing-Tips-from-Kurt-Vonnegut.html</link>
			<description><![CDATA[ <p>Good advice for editing prose, and can often be applied to poetry, as well:</p>

<p><span style="font-weight: bold;"><br></span></p>

<p><span style="font-weight: bold;">1. Find a subject you care about</span></p>

<p><span style="font-weight: bold;">2. Do not ramble, though</span></p>

<p><span style="font-weight: bold;">3. Keep it simple</span></p>

<p><span style="font-weight: bold;">4. Have guts to cut</span></p>

<p><span style="font-weight: bold;">5. Sound like yourself</span></p>... ]]></description>

			<!-- optional elements -->
			<author>feeds@yuku.com (Gyrafalcon)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/1145</guid>
			<pubDate>Sun, 17 Jun 2007 13:35:30 GMT</pubDate>
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			<title><![CDATA[ Revisioning -- How long between your visions? ]]></title>
			<link>http://smotheredair.yuku.com/topic/1138/t/Revisioning-How-long-between-your-visions-.html</link>
			<description><![CDATA[ Did you know that the Roman poet Horace thought one should wait <span style="font-style: italic; font-weight: bold;">nine years</span> before revising a
written draft?!
<br>
<br>
What are your thoughts on ideal waits between editing or revising drafts? Are you quick to revise, or does it take you awhile before you can stand the thought
of revising a particular piece of work?   How long do you believe it takes before you can view your latest works with an objective eye?
<br>
<br>
<br> ]]></description>

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			<author>feeds@yuku.com (Nephologia)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/1138</guid>
			<pubDate>Wed, 06 Jun 2007 01:18:23 GMT</pubDate>
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		<item>
			<title><![CDATA[ To tell or not to tell ]]></title>
			<link>http://smotheredair.yuku.com/topic/443/t/To-tell-or-not-to-tell.html</link>
			<description><![CDATA[ Since being a member of SA I have come to realise that I have a problem in defining the level of how much information I give the reader and how much I hold back.<br>
<br>
In wanting to create mystery in poetry I often write in ways that must leave the reader with a blank expression.  Yet, I feel that to 'tell them' what it is about ruins the depth of the poem.<br>
<br>
As fellow writers, how do you make the decision of whether to give clues to something in the hope that the reader will try to... ]]></description>

			<!-- optional elements -->
			<author>feeds@yuku.com (Heath Thompson)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/443</guid>
			<pubDate>Thu, 21 Sep 2006 13:41:36 GMT</pubDate>
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			<title><![CDATA[ Questions about meter? ]]></title>
			<link>http://smotheredair.yuku.com/topic/444/t/Questions-about-meter-.html</link>
			<description><![CDATA[ I'm not clear about what I'm asking, but I'll try nonetheless.<br>
<br>
When writing feet in sequence, does there have to be a specific pattern, but when it's a specific form such as &quot;iambic pentameter,&quot; it has a pattern?  And because it is called that, it has 5 iambs for 5 feet.  Say I replace 1 trochee in the mix for an iamb so there would be a 4iamb/1trochee ratio...what would you call that line if possible?  Does each line have to have a pattern of stressed and unstressed... ]]></description>

			<!-- optional elements -->
			<author>feeds@yuku.com (AndrewCDickinson)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/444</guid>
			<pubDate>Sun, 06 Aug 2006 21:21:35 GMT</pubDate>
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		<item>
			<title><![CDATA[ Short Forms - Got Milk? ]]></title>
			<link>http://smotheredair.yuku.com/topic/446/t/Short-Forms-Got-Milk-.html</link>
			<description><![CDATA[ Besides Haiku, does anyone know much about other types of short forms?  Which ones have you tried, and which do you like the best?<br>
<br>
N.<div class='signature'>*** <a href="http://pub51.ezboard.com/bsmotheredair">"Hot Moon Poetry at Smothered Air"</a> ***</div> ]]></description>

			<!-- optional elements -->
			<author>feeds@yuku.com (Nephologia)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/446</guid>
			<pubDate>Sun, 09 Jul 2006 17:16:54 GMT</pubDate>
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		</item>
		<item>
			<title><![CDATA[ Etymology sites ]]></title>
			<link>http://smotheredair.yuku.com/topic/449/t/Etymology-sites.html</link>
			<description><![CDATA[ There was an old thread in the Coffeepot about etymology, but the links didn't work anymore.  I've started a new post with a new URL for the Online Etymology Dictionary, and added two sites which explore the etymology of names in different languages:<br>
<br>
<!--EZCODE LINK START--><a href="http://www.etymonline.com/">The Online Etymology Dictionary</a><!--EZCODE LINK END--><br>
<br>
<!--EZCODE LINK START--><a href="http://www.behindthename.com/">Behind the Name</a><!--EZCODE LINK... ]]></description>

			<!-- optional elements -->
			<author>feeds@yuku.com (Ocalive)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/449</guid>
			<pubDate>Sun, 21 May 2006 18:22:53 GMT</pubDate>
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		<item>
			<title><![CDATA[ Structure in Free Verse ]]></title>
			<link>http://smotheredair.yuku.com/topic/448/t/Structure-in-Free-Verse.html</link>
			<description><![CDATA[ <!--EZCODE ITALIC START--><em>Heath, Gram and I have opened a <!--EZCODE LINK START--><a href="http://p205.ezboard.com/fsmotheredairfrm1.showMessage?topicID=541.topic">discussion</a><!--EZCODE LINK END--> in another thread that has taken on a life of its own.  I thought it would be good to let it be its own topic, rather than an offshoot from commentary on a poem.</em><!--EZCODE ITALIC END--><br>
<br>
Is there structure underlying all poems?  Not just in the formal patterns, but in free verse... ]]></description>

			<!-- optional elements -->
			<author>feeds@yuku.com (Nephologia)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/448</guid>
			<pubDate>Fri, 12 May 2006 20:08:28 GMT</pubDate>
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			<title><![CDATA[ A problem with plot ]]></title>
			<link>http://smotheredair.yuku.com/topic/450/t/A-problem-with-plot.html</link>
			<description><![CDATA[ I love novels, but several years ago I gave up trying to write stories. I have a problem with plot. <br>
<br>
Characterisation, dialogue, description, atmosphere, all these I feel I have built up a certain level of skill in, but when it comes to actually telling a worthwhile story, I just pull blanks or spiral off into meaningless indifference. <br>
<br>
It's the same when I try to write music. Rhythm, melody, dynamics between the two, subtle sound effects, balance/panning, space, bass,... ]]></description>

			<!-- optional elements -->
			<author>feeds@yuku.com (Gram Davies)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/450</guid>
			<pubDate>Mon, 27 Mar 2006 16:09:25 GMT</pubDate>
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			<title><![CDATA[ Links for Spelling help ]]></title>
			<link>http://smotheredair.yuku.com/topic/452/t/Links-for-Spelling-help.html</link>
			<description><![CDATA[ Below are a few links of both free and subscription sites designed to help with English spelling!  You might find them fun to poke around, anyway.  <br>
<br>
<br>
Freebies:<br>
<br>
<!--EZCODE LINK START--><a href="http://www.funbrain.com/spell/index.html">Spellcheck at Funbrain</a><!--EZCODE LINK END--><br>
<!--EZCODE LINK START--><a href="http://owl.english.purdue.edu/handouts/interact/g_spelieEX1.html">Owl Online Writing Labs</a><!--EZCODE LINK END-->, sample<br>
<!--EZCODE LINK START--><a... ]]></description>

			<!-- optional elements -->
			<author>feeds@yuku.com (Nephologia)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/452</guid>
			<pubDate>Wed, 15 Mar 2006 22:10:16 GMT</pubDate>
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		<item>
			<title><![CDATA[ Hooray for subtlety ]]></title>
			<link>http://smotheredair.yuku.com/topic/453/t/Hooray-for-subtlety.html</link>
			<description><![CDATA[ I found this quote from <!--EZCODE ITALIC START--><em>Bold Type</em><!--EZCODE ITALIC END-->'s Poetry Editor Ernest Hilbert while researching Stephen Spender:<br>
<br>
&quot;The subtlety with which [Spender] recounts particular episodes is of a kind almost entirely unknown to contemporary writers, whose apparent reluctance to withhold any information, however embarrassing or unentertaining, has gone some way in dulling their readers' capacity to discern nuances altogether.&quot;<br>
<br>
I... ]]></description>

			<!-- optional elements -->
			<author>feeds@yuku.com (Gyrafalcon)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/453</guid>
			<pubDate>Sun, 19 Feb 2006 22:00:15 GMT</pubDate>
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		<item>
			<title><![CDATA[ Johnathan Strange and Mr. Norrell ]]></title>
			<link>http://smotheredair.yuku.com/topic/454/t/Johnathan-Strange-and-Mr-Norrell.html</link>
			<description><![CDATA[ Set in the 1800s, this novel reads like the fiction of that age, complete with oddities of spelling and circuitous foot-notes, but drew me in with all the glamour and pace of modern fiction. <br>
<br>
In a story of English magic, Susana Clarke weaves elements of alternative history with familiar themes of dingy London streets and wild Yorkshire moors. In a land where sorcery is all but forgotten, the domain of gentleman scholars and dusty, hoarded anecdotes, a prophecy survives that tells of... ]]></description>

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			<author>feeds@yuku.com (Gram Davies)</author>
			<guid isPermaLink="true">http://smotheredair.yuku.com/topic/454</guid>
			<pubDate>Fri, 27 Jan 2006 15:47:50 GMT</pubDate>
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